Quotes by August Wilson

All you need in the world is love and laughter. That's all anybody needs. To have love in one hand and laughter in the other.
– August Wilson
American society as a whole has a very short memory. There are a lot of things we don't know or have allowed ourselves to forget. I was visiting a high school, Seward High School, in 1987, and one of the students in the classroom thought that slavery had ended in 1960. He was very serious about it.
– August Wilson
As soon as white folks say a play's good, the theater is jammed with blacks and whites.
– August Wilson
Between speeches and awards, you can find something to do every other week. It's hard to write. Your focus gets splintered. Once you put one thing in your calendar, that month is gone.
– August Wilson
Blacks have traditionally had to operate in a situation where whites have set themselves up as the custodians of the black experience.
– August Wilson
For me, the original play becomes an historical document: This is where I was when I wrote it, and I have to move on now to something else.
– August Wilson
I don't have a musical background. But I do enjoy all kinds of music. It's an expression of the human spirit that illuminates our humanity.
– August Wilson
I feel sort of embarrassed I don't go to plays, but I can't keep the characters straight. I feel I should be somewhere else.
– August Wilson
I first got involved in theater in 1968, at the height of a social tumult. I was a poet.
– August Wilson
I have to confess that I'm not a big movie person. I don't go to a lot of films. And I don't know very much about the history of stage-to-film adaptations.
– August Wilson
I know some things when I start. I know, let's say, that the play is going to be a 1970s or a 1930s play, and it's going to be about a piano, but that's it. I slowly discover who the characters are as I go along.
– August Wilson
I should take a page from my lawyer-every time I call, he's on vacation, four or five times a year.
– August Wilson
I still don't know what works until it works, until I see it working. It wasn't through seeing other playwrights or reading other plays, because I haven't done much of either of those. Again, you have an intuitive sense that this is dramatic or a nice shape to a scene; you intuitively know how to tell a good story... where the highlights are, what information to withhold, and how to reveal things.
– August Wilson
I think that if I'm at home sitting doing the rewrite, I'm going to write something different than if I'm there in the rehearsal room doing it. It's kind of hard to explain, but if you're tossed into the fire at any particular moment, then you are going to write something different than you will in another particular moment. And that is from day to day.
– August Wilson
I'm trying to take culture and put it onstage, demonstrate it is capable of sustaining you. There is no idea that can't be contained by life: Asian life, European life, certainly black life. My plays are about love, honor, duty, betrayal - things humans have written about since the beginning of time.
– August Wilson
Jazz in itself is not struggling. That is, the music itself is not struggling... It's the attitude that's in trouble. My plays insist that we should not forget or toss away our history.
– August Wilson
Regardless of the medium, rewriting and more rewriting is still necessary. No one gets anything right the first time, and since I don't write with a hammer and chisel, it's relatively easy for me to change. It's just words on paper. Words are free. You don't go to the store and order a pound of words, or five hundred words, and pay your three dollars. They're free.
– August Wilson
Sometimes you find that your original concept, that initial impulse, was the correct one. Although I keep my own council on this sort of thing, I do ask others for advice sometimes. Like my wife, Constanza Romeo.
– August Wilson
Suffice it to say, I'm not poor.
– August Wilson
Take jazz or blues; you can't disregard that part of the African-American experience, or even try to transcend it. They are affirmations and celebrations of the value and worth of the African-American spirit. And young people would do well to understand them as the roots of today's rap, rather than some antique to be tossed away.
– August Wilson
The way I see it, the stage tells the story for the ear, and the screen for the eye... On stage, you can't really control where the viewer's eye goes; there's a whole stage picture there, and the viewer can be looking anywhere. But with the camera, if you want the viewer to look at something in particular, you can put their eye there.
– August Wilson
What comes forth from you as an artist cannot be controlled. But you have responsibilities as a global citizen. Your history dictates your duty. And by writing about black people, you are not limiting yourself. The experiences of African-Americans are as wide open as God's closet.
– August Wilson
When blacks made purchases in any store, they weren't given paper bags; instead, they had to carry out their purchases without a bag. If my mother had informed us of these things, it might have lessened her authoritarian presence in the world. Or, she might have come home one day to find me with hundreds of paper bags that I might have stolen somewhere.
– August Wilson
You can only close if you opened.
– August Wilson
You have to make your own definition of yourself. That's crucial. When I do interviews, I am expected to become some sociologist. I have to speak to the condition of black America. My preference would be: Let's talk about theater. Let's talk about art. The fact that I am black is self-evident.
– August Wilson
You know, I find a very strong correlation between Kansas City and my native Pittsburgh. Pittsburgh had two fine Negro Leagues teams, the Homestead Grays and the Pittsburgh Crawfords. And Pittsburgh was also a hotbed of jazz in the '30s and '40s-Lena Home, Billy Eckstein, Ahmad Jamal-we too had some very important musicians come out of Pittsburgh.
– August Wilson